But Zucker was skeptical about Swayze’s he-man image.
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Rubin thought Swayze would a perfect Sam after he saw the actor break down and weep when talking about his late father in a TV interview. SEE Patrick Swayze movies: 15 greatest films ranked from worst to best The song is heard in the infamous pottery-wheel scene, when Sam and Molly dance together as a precursor to making love and is reprised when Sam inhabits Oda Mae’s body to dance with Molly one last time. The Oscar-nominated song originally heard in a 1955 prison drama “Unchained” but “Ghost” went with the 1965 version by Bobby Hatfield of The Righteous Brothers. It was producer Linda Weinstein who heard the ballad “Unchained Melody” playing on an oldies station in her car and knew she found the right love theme to set the mood. “When we first showed it to a roomful of Paramount executives, everyone walked out with red eyes.” He based his character on the response he would give as a young man in his 20s –“Ditto” - whenever anyone told him, “I love you.” Rubin, who won an Academy Award for his original screenplay, was glad to see his personal experience allow other men respond to Sam’s second chance to say the L word to Molly. Screenwriter Rubin based Sam’s struggles to profess his feelings to Molly on his own conflict with expressing such emotions.
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The director also credited screenwriter Bruce Joel Rubin for why the film touched so many, saying, “It’s a movie that was guided by a passion and a belief rather than trying to make a hit.” It would manage to linger in the top-five popular films through the Thanksgiving holiday. But ‘Ghost’ did something they can’t do anymore.” That would be building old-fashioned word or mouth. As Zucker observed about the unlikely success of his $22 million comedy-fantasy-romance hybrid, “Nobody saw this as a summer blockbuster. 1: A belief that counter-programming can work. SEE Black Oscar winners: Every actress, actor who won Academy Awards Here are five reasons why “Ghost” possesses the power to transfix audiences, now and then, and how it led to other supernatural summer releases as “Phenomenon,” “The Sixth Sense,” “Signs,” “The Others” and “The Conjuring.” “Ghost” would also scare up a Best Picture Oscar nomination and four others, including a supporting actress win for Goldberg. It would also go on to be the top box-office title of the year with a worldwide gross of $505 million. The film directed by Jerry Zucker - best known as part of the team behind the comedy spoof “Airplane!” - would not only beat out such typical fare as “Total Recall,” “Die Hard 2” and “Back to the Future 3” that summer. While critics initially dismissed the jarring mix of genres - Richard Corliss of Time magazine damned it as “a bad movie that a lot of people will like”–but public opinion counted more, especially at the box office. The plot involved a murdered Manhattan banker named Sam ( Patrick Swayze) is present in spirit form and relies on a con-artist psychic Oda Mae ( Whoopi Goldberg) as a go-between to help his endangered weepy artist girlfriend Molly ( Demi Moore). the Extra-terrestrial.” But 30 years ago, a film materialized in the midst in July of 199o that would defy most of the signposts of a summer hit - namely, a supernatural romantic weeper aimed at adults named “ Ghost.” SEE Demi Moore movies: 12 greatest films ranked from worst to best The lack of multiplex visits during these steamy summer days has made me nostalgic for the when I was a movie critic and basked in the escapist hot-weather fare that typically consisted of either action films like “Batman” or “Die Hard” and sci-fi outings like “Star Wars” and “E.T.
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